measure for measure
The Very Special Ashira Holiday Special Issue! (by The Tennessee Project and Courtney Cunningham) Directed by Tina Polzin, 2004, Galapagos Art Space, Bowery Poetry Club - New York, NY
Cult to the Chase! (Paul Sapp for The Tennessee Project - based on Ashira69 written by Catherine Castellani), Directed by Tina Polzin, 2003, New York International Fringe Festival, Manhattan Theater Source, - New York , NY, The Estrogenius 2003 Fest Day Fundraiser, The Philadelphia Fringe Festival –PA, The P-Power Performance Festival - Baltimore, MD
Alley's Gorgeous Guide to Subterfuge and Etiquette or The Miss Manners of Murder and Mayhem, (Paul Sapp for The Tennessee Project - based on Ashira69 written by Catherine Castellani), Directed by Caroline Jauch and Jen Kagan, 2001, Park Side Lounge, RUBULAD, Park Slope Lyceem - New York, NY
Ashira69 Collector's Edition: Superheroines Collide!(Catherine Castellani for The Tennessee Project) Directed by Caroline Jauch, 1997, House of Candles Theater - New York, NY.1998, La Tea Theater at Clemente Soto Velez Cultural Center - New York, NY.
The All Nude College Girl Revue (Lisa Faith Phillips) co-production with Flip Productions, directed by Todd Stuart Phillips, 1996, The Samuel Beckett Theater - New York, NY.
Barrel of Monkeys (Various Artists in Collaboration with the Tennessee Project and Mutt Repp.) 1996, Den of Thieves - New York, NY.
T Bone N Weasel it Ain't (Tennessee Project) Directed by Damaris Webb, 1995, House of Candles Theater - New York, NY.
Measure for Measure (William Shakespeare) Directed by Paul Sapp, 1995, BINGO Theater - New York, NY.
Dark of the Moon (William Berney and Howard Richardson) Directed by Jim Savoie, 1994, BINGO Theater - New York, NY.
Incalcuable Factor (Bryan Robinson) directed by Rinehardt Schmuckferd, 1994, Alice's Fourth Floor - New York, NY.
Summer Brave (William Inge) Directed by Damaris Webb, 1994, BINGO Theater - New York, NY.
Action (Sam Shepard) Directed by Todd Stuart Phillips, 1992, BINGO Theater - New York, NY
27 Wagons full of Cotton (Tennessee Williams) Directed by Todd Stuart Phillips and Damaris Webb, 1992, BINGO Theater - New York, NY.
A Marriage Proposal (Anton Chekov) Directed by Damaris Webb, 1992, BINGO Theater - New York, NY.
The Diviners (Jim Leonard, Jr.) Directed by Damaris Webb, 1992, BINGO Theater - New York, NY.
Eating Out (Marcia Dixcy) Directed by Joan Bruemmer, 1991, BINGO Theater - New York, NY.
Forced Mobility (Jan Peter Pedross) Directed by Jan Peter Pedross, 1991, BINGO Theater - New York, NY.
Spectre (Don Negro) Directed by Kirk Marcoe, 1991, BINGO Theater - New York, NY.
Stonewater Rapture (Doug Wright) Directed by Michael Albala, 1991, BINGO Theater - New York, NY.
Tennessee Williams It Ain't (The Tennessee Project) Directed by various artists, 1991, BINGO Theater - New York, NY.
Travelling and Going Nowhere (Tanya Kane-Perry and The Tennessee Project) Directed by Tanya Kane-Parry, 1991, BINGO Theater - New York, NY.
Therese Raquin (Emile Zola) Directed by Damaris Webb, 1990, BINGO Theater - New York, NY.
VIVA Don'cha Know (Tennessee Project) Directed by Joan Bruemmer, 1990, New Artist's Showcase, The Living Theater -New York, NY.
Rappelling Thoughts and Odious Moments (Tennessee Project) Directed by Bobby Bowman, 1989, The Acting Studio - New York, NY.
No Exit (Jean Paul Satre) Directed by Michael Albala, 1989, ABC No Rio - New York, NY.
Jack and the Beanstalk (Tennessee Project) Directed by Damaris Webb, 1988, Theater Lettelier - Paris, France.
Pamplemousse (Tennessee Project) Directed by Damaris Webb, 1987, Theater Lettelier - Paris France. 1986, Theater Lettelier - Paris France.
La Belle et La Bette (Tennessee Project) Directed by Damaris Webb, 1987 European Version, Theater Lettelier - Paris France.
I'm sorry I can't hear you, there's a Banana in my ear (Tennessee Project) Directed by Damaris Webb. 1986, ABC No Rio - NYC. 1986, Capitol Hill Arts Workshop - Washington, D.C.
Village Voice
In the Tennessee Project’s post-apocalyptic (comic book) America, the fragile world is threatened by such villains as socialite–evil espionage agent Alley Class and mentally disturbed Canadian ice heiress, Freezia Sleet. And who better to rescue the dwindled human community but Ashira, a superhero with a bikini and a fro who roars like He-Man and refers to herself in the third person? This first episode in a trilogy of all-female superhero plays seeks to engage the audience in thinking about current gender/political/cultural/personal issues through a popular generic form. Oh, and it’s really funny, too. (Porter)
measure for measure